To the Question of Culture Integration of the West and the East (on the Example of Fine Arts of Kazakhstan, Mongolia and China)

  • Т.М. Степанская Altai State University (Barnaul, Russia) Email: stm@art.asu.ru
  • К.А. Мелехова Altai State University (Barnaul, Russia) Email: kschut@mail.ru
Keywords: integration of cultures, fine arts, art process, continuity, traditions

Abstract

The article considers the topical problem of integration of the West and East cultures, shows the role of the Russian art school and the Russian art educational institutions to involve the artists of Kazakhstan, Mongolia and China in European fine arts. Integration of cultures is a old and continuous process, but now it is in the center of attention of cultural science, eth-noart studies, art criticism. Altai, Mongolia, China, Kazakhstan are multiethnic territories. It is a place of living and development of many national traditions, which determines progressive development of the regions. The author studied the problem, being the direct participant of creative trips to Kazakhstan (2004), Mongolia (1984, 2005). Natural, cultural and historical capacity of these countries and territories is great and valuable in the course of integration of national cultures on the basis of dialogue. The purpose of the article is to draw attention to the history of art culture of Altai and its adjacent territories, to remind of continuity of culture, universal values, and also that preservation of cultural and art continuity is a convincing sign of spiritual and moral health of society.

DOI 10.14258/izvasu(2015)3.1-26

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Author Biographies

Т.М. Степанская, Altai State University (Barnaul, Russia)
доктор искусствоведения, профессор, член Союза художников России, заведующий кафедрой истории отечественного и зарубежного искусства 
К.А. Мелехова, Altai State University (Barnaul, Russia)
кандидат искусствоведения, доцент кафедры истории отечественного и зарубежного искусства

References

Мелехова К.А. Искусство Монголии и Вьетнама в контексте влияния русской художественной школы // Мелехова К.А., Нехвядович Л.И., Степанская Т.М. Русская художественная школа в диалоге культур XX века : монография. - Барнаул, 2012.

Гуань Сино. Исторические связи монументальной декоративной живописи Китая и Японии // Мир науки, культуры, образования. - 2009. - Вып. 1 [13].

Гуань Сино. Тенденции развития китайского монументального искусства во второй половине XX в. // Молодежь в XXI веке: материалы IX краевой молодежной науч.-практ. конф. Рубцовск, 8-9 ноября 2007. - Барнаул, 2008.

How to Cite
Степанская Т., Мелехова К. To the Question of Culture Integration of the West and the East (on the Example of Fine Arts of Kazakhstan, Mongolia and China) // Izvestiya of Altai State University, 1, № 3/1(87) DOI: 10.14258/izvasu(2015)3.1-26. URL: http://izvestiya.asu.ru/article/view/%282015%293.1-26.