Роль игрового кино как средства пропаганды в советско-американских отношениях периода холодной войны
УДК 94(47).084:791.43 ББК 63.3(2)631-6 + 85.37
Аннотация
Период холодной войны в истории человечества напрямую связан с идейно-политическим противостоянием двух сверхдержав — США и СССР Используя различные инструменты воздействия на массовое сознание, руководство обоих государств стремилось не только показать своего «потенциального противника» в «образе врага», но и оправдать собственные действия в идеологическом и военно-политическом противостоянии. Игровое кино как источник визуального искусства оказалось наиболее эффективным и в определенной степени результативным средством политической пропаганды благодаря отображению положительных и отрицательных черт «врага». Основной целью статьи является определение роли игрового кино в качестве средства пропаганды в советско-американских отношениях периода холодной войны.
Скачивания
Литература
Lenin V.I. Complete Works. 5th ed. Vol. 44. M.: Political Literature Publishing House, 1970. 726 p. (In Russ.).
Nye J. Bound to Lead: The Changing Nature of American Power. New York: Basic Books, 1990. 370 p.
Nye J. Soft Power: The Means to Success in World Politics. New York: Public Affairs, 2004, 191 p.
Marchukov A.N., Yurov S.S., Skazochkina PA. Cinematography as an Instrument of Foreign Policy. Business and Design Review. 2023. No 2 (30). P. 104-111. (In Russ.).
Cobb T. American Cinema and Cultural Diplomacy: The Fragmented Kaleidoscope. Stourbridge: Palgrave McMillan, 2020. 265 p.
Chung S. Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations. New Brunswkk: Rutgers University Press, 2020. 256 p.
Huttunen М. Politicised Cinema: Post-War Film, Cultural Diplomacy and UNESCO. London: Routledge, 2022. 178 p.
Lee S. Cinema and the Cultural Cold War: US Diplomacy and the Origins of the Asian Cinema Network (The United States in the World). New York: Cornell University Press, 2020. 312 p.
Taylor R. Film Propaganda: Soviet Russia and Nazi Germany. London: I. B. Tauris, 1998. 228 p.
Saunders F. The CIA and the World of Art. The Cultural Front of the Cold War. M.: Institute of Foreign Policy Studies: Kuchkovo Pole, 2013. 416 p. (In Russ.)
Willmetts S. In Secrecy’s Shadow: The OSS and CIA in Hollywood Cinema 1941-1979. Edinburgh: Edinburgh University Press, 2016. 307 p.
FitzGerald M.R. “Adjuncts of Government”: Darryl F. Zanuck and 20th Century-Fox in Service to the Executive Branch, 1935-1971. Historical Journal of Film, Radio and Television. 2016. Vol. 3 (36). P 373-391.
Artamonova U.Z. American Cinema as an Instrument of US Public Diplomacy. Analysis and Forecast. Journal of IMEMO RAS: Online Journal. 2020. No 2. P. 110-122. https://www.doi.org/10.20542/afij-2020-2-110-122 (In Russ.).
Kloos E.V. The Image of the Soviet Union in American Cinematography of the First Stage of the Cold War, 1946-1953. Artikult. 2021. No 2 (42). P. 69-75. https://www.doi.org/10.28995/22276165202126975 (In Russ.).
Prosolova E.V. Anti-American Propaganda in Soviet Feature Cinema during the First Stage of the Cold War (1946-1953). Scientific Notes of the VI. Vernadsky Crimean Federal University. Series “Historical Sciences”. 2021. No 2 (73). P. 130-141. https:// www.doi.org/10.37279/2413-1741-2021-7-2-130-141 (In Russ.).
Ryabov O.V. Discursive Structures of the Production of Cinematic Images of “Enemy Number One”. “Enemy Number One” in the Symbolic Policy of the USSR and US Cinematography during the Cold War. Ed. by O.V. Ryabov. M.: Aspect Press Publishing House, 2023. P 45-102. (In Russ.).
Sputnitskaya N.Yu. The American Baby Boom and the Soviet Pioneer Camp: Enemies and the "Hidden Threat" in Children's Cinema of the USSR and the USA in the 1930s-1960s. Artistic Culture. 2021. No 3 (38). P. 420-451. https://www.doi.org/10.51678/2226-0072-2021-3-420-451 (In Russ.).
Fedorov A.V. Comparative Analysis of Media Stereotypes during the Cold War and Ideological Confrontation (1946-1991). Media Education. 2009. No 3. P. 62-84. (In Russ.).
Filimonov G. "Soft Power" of US Cultural Diplomacy. M.: RUDN University, 2010. 212 p. (In Russ.).
Yudin K.A. Cinema in the Context of Soviet-American Relations on the Eve and During the Cold War. Bulletin of Ivanovo State University. 2018. Issue. 4 (18). History. P. 39-52. (In Russ.).
Prosolova E.V. Film Propaganda in the US State Apparatus at the Initial Stage of the Cold War. Scientific Notes of Petrozavodsk State University. 2021. Vol. 43. No 8. P. 8-14. https:// www.doi.org/10.15393/uchz.art.2021.687 (In Russ.).
Ryabov O.V. "The Soviet Enemy" in American Cold War Cinema: The Gender Dimension. Woman in Russian Society. 2011. No 2 (59). P. 20-30. (In Russ.).
Russian State Archive of Socio-Political History. F. 17. Op. 132. D. 224. (In Russ.).
Ryabov O.V. The Symbol of Childhood and the Construction of the Image of “Enemy Number One” in Soviet and American Cold War Cinema. Comprehensive Studies of Childhood. 2021. Vol. 3. No 1. P. 69-81. https://www.doi.org/10.33910/2687-0223-2021-3-1-69-81 (In Russ.).
Kolesnikova A.G. Representation of the Cold War in Soviet Feature Films: Conjuncture and Historical Memory. Manuscript. 2021. Vol. 14. Issue 12. P 2507-2511. https://doi.org/10.30853/mns20210481 (In Russ.)
Copyright (c) 2026 Анна Дмитриевна Дерендяева, Наталья Владимировна Дьяченко, Павел Владимирович Ульянов

Это произведение доступно по лицензии Creative Commons «Attribution» («Атрибуция») 4.0 Всемирная.



